HANNAN JONES






About                       ︎      
Research                   
CV 
 
 
︎

 Selected Works






︎︎︎ Current 
Edinburgh Art Festival
Assosciate Artist Programme curated by Emmie McLuskey Channels
Bridge 2 & 3, Union Canal, Edinburgh


︎︎︎ Forthcoming
Well Projects, Margate 
Duo show with Shamica Ruddock


︎︎︎ New Horizons (2020-ongoing)
        audio and visual installation

︎︎︎  Hard Drive 
       moving image 
        ︎
︎︎︎ Of an Address
        installation         ︎

︎︎︎ Back of the Day
          audio and visual installation 

︎︎︎  To Be Continued....         
audio and visual installation

Sound 






︎︎︎ Current
Re-imagining In-conversation
CCA Annex





︎︎︎ Forthcoming
re/tell atlas        ︎



︎︎︎Re-imagining In-conversation   
Counterflows 2022 

︎︎︎High Energy, Heavy Feelings
 ︎︎︎ Dub-plate 
Self-Release (Editon of 6)

︎︎︎Human Jones
︎︎︎ Super Pit

WEAPONISE YOUR SOUND
LP compilation

︎︎︎Pussy Mothers
 ︎︎︎ The Number 1 EP
Optimo Music
EP

︎︎︎Radio Shows
︎︎︎ Margate Radio
  ︎︎︎  Clyde Built Radio
    ︎︎︎ Synaptic Island (Guest w/ Sham Ruddock)
       ︎︎︎ Balamii - Beat Kitchen (live)

Curatorial & Programming Projects   





︎︎︎Current
Committee Member / Transmission Gallery





︎︎︎Previous
Warrior/Worrier for Shifting Tactics
Collective Gallery, Edinburgh

︎︎︎ Dardishi Film Festival         
September 2021

︎︎︎PEAKS 
Paper Mountain         ︎

︎︎︎ Collective Care
Moreland Festival

︎︎︎ I OPEN SOMETIME
Glasgow International 2016 

︎





 

The Back of the Day, singular audio and diptych video installation 

CCA Glasgow as part of
Sound Thought 2017

In collaboration with
Murray Collier

The Back of the Day is a diptych video and sound installation, a new work by multidisciplinary artist Hannan Jones (AU/UK) and sound based pracitioner Murray Collier (UK).

Blending themes of communication, distance and collaboration through sound, video and space. Formed simultaneously between two locations; Western Australia and Scotland, the films produced represent two sides of a conversation. 

These visual elements are tied together by one common soundtrack, which acts as a communication tool between two visual elements.

Translating current reflections on experiences of place, transit and time, while seeking to aesthetically challenge and experiment with sonic and visual structures; each film explores the artists maintaining common points of reference in different environments and across times zones.