About                       ︎      

 Selected Works

︎︎︎ Current 
Edinburgh Art Festival
Assosciate Artist Programme curated by Emmie McLuskey Channels
Bridge 2 & 3, Union Canal, Edinburgh

︎︎︎ Forthcoming
Well Projects, Margate 
Duo show with Shamica Ruddock

︎︎︎ New Horizons (2020-ongoing)
        audio and visual installation

︎︎︎  Hard Drive 
       moving image 
︎︎︎ Of an Address
        installation         ︎

︎︎︎ Back of the Day
          audio and visual installation 

︎︎︎  To Be Continued....         
audio and visual installation


︎︎︎ Current
Re-imagining In-conversation
CCA Annex

︎︎︎ Forthcoming
re/tell atlas        ︎

︎︎︎Re-imagining In-conversation   
Counterflows 2022 

︎︎︎High Energy, Heavy Feelings
 ︎︎︎ Dub-plate 
Self-Release (Editon of 6)

︎︎︎Human Jones
︎︎︎ Super Pit

LP compilation

︎︎︎Pussy Mothers
 ︎︎︎ The Number 1 EP
Optimo Music

︎︎︎Radio Shows
︎︎︎ Margate Radio
  ︎︎︎  Clyde Built Radio
    ︎︎︎ Synaptic Island (Guest w/ Sham Ruddock)
       ︎︎︎ Balamii - Beat Kitchen (live)

Curatorial & Programming Projects   

Committee Member / Transmission Gallery

Warrior/Worrier for Shifting Tactics
Collective Gallery, Edinburgh

︎︎︎ Dardishi Film Festival         
September 2021

Paper Mountain         ︎

︎︎︎ Collective Care
Moreland Festival

Glasgow International 2016 



New Horizons (2020 - ongoing) 
How to Lift Heavy, Nayland Rock Hotel, Margate supported by Margate NOW

New Horizons, Civic Room, Glasgow, supported by Box Hub and Sonica 2022
New Horizons (2020 - ongoing) manifests itself through a sound and video installation consisting of deconstructed vehicle parts such as car doors, a digital rearview mirror, car stereo and car speakers.

Installed within an intimate space these objects house a soundscape and looped video piece that explores intersectional identities. The soundscape is anchored in delays and disruptions using samples from a selection of specific music genres and movements.

The sounds are filtered through me to explore chaos, identity, migration and displacement. In composing these tracks I considered this an investigation into the complexities of cultural identity, existing within the diaspora and an exploration into sound as a multi-sensory experience that can tap into memory, space and position. I considered how we can transmit unknown knowledges that are embedded in sound, and my intention is to communicate or gesture towards these complex personal and collective experiences. Through the act of world building, re-imagining and sampling. 

The video piece is an animated landscape that is looped on display in the digital rear-view mirror. Featuring a non-specific terrain that is moving slowly, setting the pace and a focal point for the audience member to become present within the installation. The hyper-real digital aesthetic is suggestive towards alternative possible existences and parallel spaces. It provokes questions that stem from our assumed knowledge of cartography, territory and landscape.

The installation creates an instinctive invitation to immerse in this carrier for disjointed realities, gesturing and questioning ourselves and our assumed knowledges of belonging, cartography and territories. Moving towards alternative possibile experiences and highlighting the state of flux amongst the traditional way that we underpin identity and belonging.