A Frontier in Depth — Limited Edition Marbled Vinyl
£35.00 Available now!

Happy release day, A Frontier in Depth is available to purchase through Artes Mundi, linked here.

A unique, limited edition marbled vinyl release of A Frontier in Depth by Hannan Jones, reworked from a site-specific sound installation into an intimate vinyl listening experience.

Edition of 100 copies + 2 Test Pressings (TP)
Catalogue No: AMNRLMHJ1

Commissioned texts in Welsh and English by Nat Raha (Terrural Memoria) and Dr Philippa Lovatt (Oscillations across time and space)
All arrangements by Hannan Jones
Reworked from a site-specific sound piece for vinyl listening
Poem and spoken word on B side by Dr Nat Raha
Studio Recordings engineered by Ronan Fay at Green Door Studios
Mixed by Ronan Fay and Rupert Clervaux
Mastered by Rupert Clervaux
Liner notes by Dr Philippa Lovatt
Design by Rose Nordin
Sleeve screen printed by Matthew Rich at M.A.R.S Print Studio
Pressed at SEABASS Vinyl

Wysing looks forward to welcoming the following artists from April 2025 through to March 2026: Louise Ashcroft (UK. In partnership with St Peter’s School, Huntingdon); Appau Junior Boakye-Yiadom (UK. For the final year of the three-year Donna Lynas Residency in partnership with South London Gallery, Modern Art Oxford and Somerset House, London); Mo Costello (US. Supported by Knotenpunkt, London); Intoart (UK); Hannan Jones and Shamica Ruddock (UK. In partnership with Forma and Knotenpunkt, London) Sahjan Kooner (UK. In partnership with Raspberry Pi Foundation, Cambridge); Mira Mann (Germany. Supported by Knotenpunkt, London); Samra Mayanja (UK. In partnership with Live Art Development Agency, London); Rika Nakashima (Japan. Supported by Japan House); Dala Nasser (Lebanon/UK. In partnership with Nottingham Contemporary) and Qenji Yoshida (Japan. Supported by Japan House.)

A Line Drawn Downwards is a new commission by Radiophrenia and WORM, Rotterdam, created in collaboration with Hannan Jones and Murray Collier.

Broadcasting:
Thursday, 17th April – 12:30–1:00pm BST
Sunday, 20th April – 6:00–6:30pm BST

“We are tapping into the invisible currents of the Earth, sending messages through the ether…”
— Nikola Tesla, early radio experiments, c. 1900

The ground opens up; we fall inward. The shifting rubble reveals ineffable depths—a world unseen, but heard into being. The synth becomes a conduit, transmitting across frequencies, straddling the boundaries between organic and artificial sound. It guides an antipodeal line through layered interiors: crust, lithosphere, asthenosphere, mantle, and core.

The synthesizer is not an instrument of control but a porous interface that navigates the imaginary of the natural datum. Turbulence shapes new forms: inverted waveforms, liminal cocoons, subharmonics, and overtones—a cartography of the unexplored. The tunnel wall fractures, revealing not just space but something beyond engineered design. A cavernous expanse.

Recorded at WORM Sound Studio in Rotterdam, this sonic cartography unfolds through the distinct textures of each instrument:
Kawai 100F, Syntron Syrinx, Soma Enver, Korg MS20, Korg PS3210, Optigan, Moog Prodigy, ARP 2600, EMS Synthi, Publison DHM89 B2, Yamaha CS100, ARP Odyssey, Roland TB303, Blippoo Box, Juno 60, Organelle, Boss DD7, Paia Proteus, Roland SP404, Roland D50, Yamaha 40M, Yamaha 60M, Phillips Philicorda, and the Fender Rhodes.

radiophrenia.scot/artists/commissions/murray-collier-hannan-jones

Whoever I stopped in the hallway to take a photo didn't do a very good job!

Here is some of the team at the BAFTA screening for the nomination of best short film at the 2025 BAFTA's for Theo Panagopoulos' film "A Scotland-based Palestinian filmmaker discovers hidden footage of his homeland's wildflowers. Inspired by this rare archive, he embarks on a journey to recover and preserve this precious visual heritage."

Very proud to have contributed the sound design to this film which continues to move from strength to strength through large and smaller community run screenings internationally.

A collective exhibition with and around Sonia Chiambretto
with Ouassila Arras, Agata Ingarden, Hannan Jones, Samir Laghouati-Rashwan, Luna Mahoux, Josèfa Ntjam, Fanny Souade Sow, Virgil Vernier.
Curatorial accomplices: Victorine Grataloup and Camille Ramanana Rahary, assisted by Léo Ferreiro

February 8 - June 8, 2025; public opening on February 7 from 5 to 10 PM
Panorama, Friche la Belle de Mai
Co-production: Friche la Belle de Mai; supported by Fluxus Art Projects. Partnerships: Actoral, Bi:Pole / Le Bon Air, Parallèle.

Twenty years after the urban riots that represented one of the most significant events in recent French history, Triangle-Astérides invites author and poet Sonia Chiambretto, whose poetic writing multiplies points of view by composing creative texts, testimonials and archival documents; addressing issues of socio-spatial segregation, structural racism, as well as emotions.

The collective exhibition will feature artists close to Sonia Chiambretto and new collaborations, revolving around the set of her play Oasis Love which will be the setting for a range of different interventions (readings, performances). Like a spring, I will be many will follow the thread running through the play: “the poetic motor of Oasis Love lies in the meaning of the word ‘riot’, literally: ‘to create emotion’.”

Performed reading by Sonia Chiambretto (with Lawrence Davis) for the opening, Friday February 7 at 6pm at Panorama (free admission, no reservation required).

shortfilms.org.uk
British Lives
Start Time:
24th Jan 18:20
Location:
Curzon Soho
Runtime:
87 min

An exploration of the multifaceted and unified nature of British identity. Using camcorders, letters, and analogue memories, these films compose fractions of stories set in rural geographies and trace immigration heritage. From folkloric rumours of gigantic cats, whimsical Elvis impersonation and digital re-examinations of systemic segregation, these films speak from the heart of British identity - collecting stories from all over the nation to paint a cross-cultural, contemporary portrait.

We combine odes to eccentric British humour such as Piece of Cake and My Dad and the Volcano, and traverse the day-to-day of immigrant heritage in Journey Mercies and Dear F... discovering intimate, nostalgic records of regional history.

Above all, this programme seeks to celebrate British cultural self-consciousness within the filmically manifold.

• Lucy Peters

Perspective(s), is an ambitious Welsh arts programme, that brings together seven ethnically and culturally diverse artists with a connection to Wales, working in collaboration with all seven Amgueddfa Cymru – Museum Wales sites and visual arts organisations nationwide.

Perspective(s) examines hidden histories within Wales’ national museums, from Welsh Plains used to clothe enslaved Africans to the lavish red sofa of Robert Clive, a figure central to British colonialism in India. The programme tackles complex and painful legacies; it rethinks the past to pave the way for a more inclusive future, one that acknowledges the diverse contributions and experiences that have shaped Wales and the world.

artesmundi.org/collaborations/perspectives

Hannan Jones, Artes Mundi and National Roman Legion Museum in 'A Frontier in Depth' investigates how shifting boundaries influence our understanding of identity and place. A trilogy of short films, beginning in the National Roman Legion Museum's subterranean archive, pictures displayed artefacts that embody multiple narratives, raising questions of how these items shape collective memory and fragmented histories. Expanding outward, the second film is driven by soundscapes around us, while the third focuses on the celestial - a tool for navigation and governance throughout time. New clay vessels created through community engagement prompt meaningful reflections on the present and future, while a culminating site-specific soundscape, merges past and present to amplify imaginary potentials.

Collaborating with young people from Newport Youth Academy, members of Roots Newport and River Folk Pottery resulted in a series of new clay vessels embodying reflections on the present and future.

The project will culminate in a new context-specific multi-channel soundscape within the Caerleon Amphitheatre, merging past and present to amplify imaginary potentials that could lie ahead. Keep an eye out for news about future launch events in January, plus film and sound installations and publications in spring 2025.

4 split releases with a selection of live recordings made during Oscillation ::: Materia Forma
Recorded live at VK, Église Saint-Jean-Baptiste de Molenbeek, and B** A***S, Brussels.

Issue 1: Lee Patterson & Pak Yan Lau / Evicshen
Issue 2: Nika Son / Ailbhe Nic Oireachtaigh
Issue 3: Ana María Romano G. / Hannan Jones & Shamica Ruddock
Issue 4: Okkyung Lee / Giulia Rae

umland editions / Q-O2
Brussels, Belgium

umlandeditions-q-o2.bandcamp.com/album/oscillation-materia-forma-iii

pass shadow, whisper shade brings together new work by the six participants in the 2024 Satellites Programme: Clarinda Tse, Emelia Kerr Beale, Hannan Jones, Josie KO, Katherine Fay Allan and Rowan Markson.

The title borrows from an Irish proverb, 'Ar scáth a chéile a mhaireann na daoine', roughly translating as 'people live in each other’s shadows', or, ‘we rely on each other for shelter.’ Both a shade and a shadow, this kind of shelter encompasses the positive and negative aspects of being part of a community, living in the shadow of each other and our ancestors.

Across a range of distinctive and individual practices and media, the works signal something of the complexity of inheritance, raising questions of how we process and make sense of that which we inherit, the expansive multiplicity of legacies passed down by and through earlier generations – be that material, cultural, genetic or spiritual, wanted and unwanted – and how this informs how we inhabit ourselves and the world in the present day and into the future.

pass shadow, whisper shade
Satellites Group Show
18 Oct 2024 — 22 Dec 2024
Weds-Sun, 10am-4pm

Collective
City Observatory
38 Calton Hill
Edinburgh
EH7 5AA

THE FLOWERS STAND, SILENTLY WITNESSING
Directed by Theo Panagopoulos
United Kingdom, 2024
Documentary, Short
17

Premiered at Edinburgh International Film Festival
Long listed for Best British Short Film 2025

2024 | Winner: Best Short Documentary
International Documentary Film Festival Amsterdam

Forthcoming screenings:
Sundance Film Festival
2025 | Official Selection

Slamdance Film Festival
2025 | Official Selection

London Short Film Festival
2025 | ICA London
Screening in programmes:
Documentary: Everything has a pulse
UK Competition: Panoramics

and as part of exhibition SOIL | The World at Our Feet at Somerset House
https://www.somersethouse.org.uk/whats-on/soil

Why do tulips smile? | Dana Leslie
To conclude Intentional Pauses (and Unforeseen Gaps) Season 1, we commissioned a text by Dana Leslie responding to the programme ​‘Between any two possibilities there is darkness’. Season 1 of our new artists’ moving image programme took place at Dundee Contemporary Arts in September 2024. Programmed by Hannan Jones and Miriam Mallalieu, the programme included a workshop and screening event featuring work and contributions by Basim Magdy, Maha Maamoun, Jumana Manna, Mohamed Bourouissa, Michelle Hannah, Miko Revereza, Noor Abuarafah, Gelare Khoshgozaran and Dr. Vivian Saglier.

Image: International Pauses, Dundee Contemporary Arts Cinema by Erika Stevenson

Hannan Jones and Miriam Mallalieu programme a workshop and screening at Dundee Contemporary Arts for Intentional Pauses (and Unforeseen Gaps) Season 1.

‘Never assume or pretend to understand anything. We all know you don’t, just like we don’t.’

In this screening, moments in history are revisited and revealed, narratives are fractured and pieced together and structures of how things might be understood are challenged. Films have been selected for their uncertainty, introducing unease into what was presumed, what has been said and how things might have unfolded.

Programme:

Introduction: 10 mins,

Basim Magdy, 13 Essential Rules for Understanding the World, (2011), 5 min 16s
Maha Maamoun, 2026, (2010), 9 min
Jumana Manna, A Sketch of Manners (2012), 12 min
Mohamed Bourouissa, Généalogie de la violence (2024), 12 min
Michelle Hannah, Burnout, (2023), 10 min (performance)
Miko Revereza, Disintegration 93 – 96, (2017), 5 min
Noor Abuarafah, Am I the ageless object in the museum?, (2018), 15 min
Gelare Khoshgozaran, That the Sunset Is A Lie, (2021), 6 min

Q&A with Miriam Mallalieu and Hannan Jones: (40 mins)

Image: Mohamed Bourouissa, ​‘Généalogie de la violence’ (2024). Courtesy of the artist.

Hannan Jones and Dr. Miriam Mallalieu host a workshop with Dr. Viviane Saglier, inspired by Gelare Khoshgozaran’s​ ‘That the Sunset Is A Lie’ (2021) at DCA. ​‘That the Sunset Is A Lie’ shown as a 35mm slide projection as part of Between any two possibilities there is darkness, a screening following the workshop.

This workshop invites participants to question how stories are constructed. We will explore how the sequencing of image and text can create a variety of narratives, examining the meanings that emerge and how they might be interpreted. Inspired by Gelare Khoshgozaran’s​‘That the Sunset is a Lie’ by juxtaposing text and images, participants will work directly with drawing, 35mm slide images and existing film stills to create sequences that open up new possibilities for storytelling. The workshop will be led by Viviane Saglier, Hannan Jones and Miriam Mallalieu.

Gelare Khoshgozaran, 'That the Sunset Is a Lie', 2021. Courtesy of the artist and LUX.

LUX Scotland is delighted to announce a new artists’ moving image programme. Between Autumn 2024 and Spring 2025, we will deliver a peripatetic festival in partnership with Dundee Contemporary Arts, the Pier Arts Centre and ATLAS Arts. We have paired six emerging artists to collaboratively programme and co-curate three seasons of screenings and events. These artist-programmers are: Hannan Jones and Miriam Mallalieu; Heather Andrews and Louise Barrington; Aqsa Arif and Hector MacInnes. Working with organisations and artists across Scotland, the programme focuses on collaboration and follows an itinerant model that prioritises sustainability, slowness and access.

‘Intentional Pauses (and Unforeseen Gaps)’ offers emerging artists an opportunity to programme screenings and events as a way to explore and interrogate new ideas in a collaborative and supportive environment. Contextualising concerns within their practices alongside another artist-programmer, the programme will present works by local and international artists to audiences across Scotland. The programme has been supported by programming training sessions by artists Emmie McLuskey and Morgan Quaintance.

Season 1: Hannan Jones and Miriam Mallalieu with Dundee Contemporary Arts, September 2024

Season 2: Heather Andrews and Louise Barrington with the Pier Arts Centre, Orkney, November 2024

Season 3: Aqsa Arif and Hector MacInnes with ATLAS Arts, Isle of Skye, February 2025

‘Intentional Pauses (and Unforeseen Gaps)’ builds on the history of LUX Scotland and Tramway’s Artists’ Moving Image Festival (AMIF) and takes its name from an essay by AMIF 2021 programmer Tako Taal’s reflections on the innovative reconfiguration of the festival, GIVE BIRTH TO ME TOMORROW, during the pandemic. This essay will be available to read in the forthcoming publication documenting the festival, edited by Tako Taal and co-programmer Adam Benmaklouf, and designed by Isabel Barfod.

‘Intentional Pauses (and Unforeseen Gaps)’ is funded through Screen Scotland’s National Lottery Film Festival and Screening Programme Fund in partnership with Dundee Contemporary Arts, the Pier Arts Centre and ATLAS Arts. Thank you to Hannah Moitt for the design of the programme’s visual identity.

Scotland’s longest running festival of experimental music, Counterflows, lands in London’s cauldron of creativity that is Café Oto for 3 days of exciting performances. Featuring Scottish and Scottish-based artists either in solo or in collaboration, the mini festival gives a snapshot of the wide-range of innovative music being made today from the land of haggis, irn bru and tattie scones.

Friday 13 September: Performances by Cara Tolmie & Rian Treanor, Nakul Krishnamurthy and Conal Blake & Hannan Jones.

cafeoto.co.uk/events/counterflows-at-oto

The 3 day event is made possible by support from Creative Scotland.

The expanded music programme at the 2024 Summer Festival is programmed by artist and musician Shhe.

Buy your tickets here to attend Hospitalfield’s Summer Festival…

In the Studio, Hannan Jones and Shamica Ruddock present the performance Re-Imagining In-Conversation, a research-based sonic venture encompassing speculation, jazz poetics, improvisation and dreaming.

For this iteration, they work with a combination of electronics, percussion, and wind moving through two identified sonic chapters of murmur and clamour.

The performative exploration of the in-conversation format extends a myriad of identified shared and diverging research interests spanning Eduoard Glissant’s Poetics of Relations to Female Voices in Revolution: Autobiography and Collective Memory in Assia Djebar’s Fantasia: An Algerian Cavalcade and Merle Collins’s Angel; a text placing the orality of Algeria in relation to the oral traditions of the Caribbean.

Sagome presents chaotic free jazz sounds of Saint Abdullah alongside Brooklyn-based drummer and composer, Jason Nazary, Hannan Jones – an artist of Algerian and Welsh origin raised on Binjareb Noongar Boodja, Western Australia, and Bidimensional Gangsta on the decks.

Tickets and more info: cafeoto.co.uk/events/sagome-023

Seeing Red reanimates North Wales’ only gay bar, destroyed by arson a decade ago, interviewing erstwhile patrons and assembling an informal archive from digital remnants. This bilingual tribute is supported by a suite of elegiac drawings, offered in memoriam of lost queer histories.

I worked on an original composition and 5.1 multichannel sound design for the exhibition at 5 Florence Street which is premiering as part of Glasgow International 2024, ​‘I’m attended as a portal myself’ is a two person show presented by artists Bobbi Cameron and Owain Train McGilvary.

oscillation-festival.be/2024

The 2024 Oscillation festival is a reflection on form, format, and performance. The self-evidence of an active performance linked to music has been altered with the ubiquity of electronic instruments and forms of amplification, which has also resulted in a larger variety of concert formats. Yet, absence of activity on stage does not equate to an absence of performance: objects might take that role, everyday events can be framed to perform themselves, sounds may exist as forms in themselves. Degrees of reality morph, appear, and disappear.

As ever, the listener plays an essential role in this context, taking part in the interaction by allowing themselves to be immersed in the sonic experience and respond to the proposed formats. Each performance situation thrives on a certain formality, with codes of behaviour which are more or less implicit. It creates a space of appearance for both performer and listener, oscillating between immersive proximity and reflective distance, between the autonomy of subjective experience and a communal experience amplified by the formal situation. Forms are dynamic spaces to be inhabited by new relations.
 
Spaces influence the atmosphere and the aura of the moment. Formats serve to make what is happening legible for a public, and channel the chaotic and dynamic situation which emerges when music, performer, and listener meet. The interlacing of form, format, and performance generates listening attitudes which might be perceived as a mixture of distance, presence, or participation, depending on, or fuelled by the spaces and places they occur.

'Foresight & Fiction' at Goolugatup Heathcote, Western Australia has opened and continues through to 2 June.
Open daily 10am-4pm (note: closed public holiday 25 April

Images:

❀ Hannan Jones, "Letter from Leonard (Halls Head to Margate)", 2021 & 2024, wallpaper, size variable.

❀ Hannan Jones, "Improvisation with ultramarine, an arpeggio", 2024, screenprint on 300 gsm Somerset White Satin paper, produced in collaboration with M.A.R.S. Print Studio, custom Tasmanian oak with Jarrah (Djarraly) stained frames.

Photo: Dan McCabe / @artdoc_au

Exciting news! I am very happy to be part of the 2024-2025 residencies at Wysing Art Centre in Cambridge!

Offering much needed space to work through sound and research with many collaborators. Dates tbc but happy to share this with Shamica Ruddock and looking forward to meeting other residents and have friends and folk we admire join us on this one.

Thanks to Wysing and the 2024 advisory group artists Delaine Le Bas, Belladonna Paloma, Daniel Oduntan and Eve Stainton; and Para Site.

The Conch is a forum for artists to present work in progress and receive feedback from the audience.

This edition of The Conch brings together presentations by James Jordan Johnson, Hannan Jones and Bint Mbareh.

booking required link here

ACCESS
Event is seated.
There is no break out space but participants are welcome to take breaks before and after presentations
Room may be dark at times to show presentations.
Wheelchair access and disabled toilets are available at this site.
Please contact [email protected] with access requirements.

SCREENING AS PART OF THE FORWARD BUNDLE @ MENA Film Festival, 2024.
TUESDAY, JANUARY 30, 2024 | 6:15 PM
VIFF Centre, Vancouver Canada

A highly experimental bundle, these films use neorealism, experimentation with the 8/16mm film medium, editing, and breaking the fourth wall to push the boundaries of what narratives can include and how audiences experience them.

La Chunky Studios on Sunday January 21st
19:30 – 23:30 PM
Opening sets from Conal Blake, as well as Hannan Jones and Shamica Ruddock.

Tickets are extremely limited to this performance

cafeoto.co.uk/events/deforrest-brown-jr

Honoured to be recognised as a winner of the Oram Awards 2023

In partnership with The Radiophonic Institute, PRS Foundation, the Daphne Oram Trust & the British Council, The Oram Awards is a platform for innovation in sound, music and related technologies to elevate the work and voices of women, Trans and Non-Binary and Gender Diverse music creators.

There is only one category: innovation in sound, music and associated technologies.

Kings Place Oram Awards 2023

The Oram Awards is a platform for innovation in sound, music and related technologies celebrating and supporting the next generation of forward-thinking Women, Trans, Non-Binary and Gender Diverse artists working in this field in the UK and across the globe.
Named after Daphne Oram, one of the founding directors of the legendary BBC Radiophonic Workshop, the awards aim to build on her legacy as a pioneering electronic composer. With others she worked at the workshop creating music for the distant future, the distant past and inside the mind. Along with other women of the workshop, including Delia Derbyshire, Glynis Jones, Jenyth Worsley, Maddalena Fagandini and Elizabeth Parker, Oram played a vital role in establishing women at the forefront of innovation in newly emerging audio technologies not only in the UK but around the world.

Partners: PRS Foundation, The British Council, The Radiophonic Institute & Daphne Oram Trust

Selected 13 trailer from videoclub on Vimeo.

Selected brings together some of the best work from early-career film and video artists from across the UK in a vibrant programme of recent artists’ moving image. Organised by videoclub and FLAMIN the eight filmmakers were nominated by the artists shortlisted for the Film London Jarman Award 2022 .

Between 14 - 29 November 2023, the Selected 13 programme screens at venues across the UK including CCA Glasgow, Fabrica (Brighton), Royal College of Art (London), Nottingham Contemporary, and John Hansard Gallery (Southampton).

Work in the Selected 13 programme
Aqsa Arif, Spicy Pink Tea, 2022, 12:25 mins

Ella Frost, What You Love Too Much to Lose, 2021, 11 mins

Dan Guthrie, black strangers, 2022, 8:13 mins

Hannan Jones, Dear F…, 2023, 6:29 mins

Hussina Raja, Station, 2022, 7:39 mins

Evita Remy-Benn, SUGAR, 2023, 1:34 mins

Daisy Smith, (Dirt), 2020, 3:01 mins

Mina Heydari-Waite, 33 Seeds, 2022, 7:02 mins

Selected is produced by videocluband Film London Artists' Moving Image Network. Supported by Arts Council England and Film London

Friday 3rd November
6–9pm

Join us in the gallery for a listening party to celebrate this year’s summer broadcasts project in collaboration with Clyde Built Radio. Each of the commissioned artists will present a revised and shortened version of their original broadcasts on Clyde Built Radio.

Unfolding through June – October this year, summer broadcasts was a series of four sound commissions by Hannan Jones, Sgàire Wood, Lydia Davies and Yulia Carolin Kothe, four Glasgow-based early career interdisciplinary artists currently working with sound, poetry, broadcast, or music. Responding to the increase in the foregrounding and programming of transient methods of working and interdisciplinary art practice within a contemporary visual art context over the last few years, this new programme at David Dale Gallery seeks to continue to support these practices.

The commissioned works responded loosely to the theme of broadcast as a site for connection and reflection, and were supported with mentorship from local community radio station Clyde Built Radio. They were also broadcast on Clyde Built Radio, who are based just up the road from the gallery in the Barras Market and are all now available to listen on our website and Clyde Built Radio’s archive.

Image by Greer Lockyear.

second sights and infrared sprites is a tapestry of short films that delves into spirituality, energy, and belief. Revealing connections between realms, present moments and the ethereal unknown. All films foreground an element of research, ritual or rhythm, be that submerged, unseen, felt or subconsciously known. These landscapes are explored both through direct narratives, subtle gestures, and are grounded by the sonic sphere.

Each film, an offering or glimpse into the past and connections spanning various spaces and temporalities. second sights and infrared sprites is a programme that leans into liberation, parallel possibilities or realities, illuminating the many compasses we can choose to follow. Each film will have an improvised sonic response by Simone Searles.

This event is held in collaboration with Glasgow Women's Library

SHOWINGS
Venue: Glasgow Women's Library, Landressy Street, Bridgeton, Glasgow, UK
Start: Thursday 2 November 2023 6:00 PM - 8:00 PM

Book Online:
Start: Thursday 2 November 2023 6:00 PM
Available In: United Kingdom

Image: Sarah Al-Sarraj, Wholeness: Homage to Maya Deren (Study), 2022, Animation still.

Future Soundscapes Festival 2023, organized by silent green, invites on a journey into the audiovisual future and presents artists at the intersection of music, media art and sound art. The sound performance Re-imagining in Conversation performed by Hannan Jones and Shamica Ruddock is a cooperation of Future Soundscapes Festival and the Digital Solitude program of Akademie Schloss Solitude. The project is further developed in the frame of the web residency »Algorithmic Poetry«, a cooperation of Akademie Schloss Solitude and Liquid Architecture.

RADIOPHRENIA is a temporary art radio station broadcasting intermittently from the Centre for Contemporary Arts in Glasgow.

25 August, Live broadcast at 11.30AM - How Do We Hold On?

Rupture, Rapture: Womxn in Collage at Patricia Fleming Gallery —
Sam Ainsley, Edie Baker, Claire Barclay, Jen DeNike, Gabrielle Lockwood Estrin, Louise Hopkins, Hannan Jones, Barbara Kendrick, Zoë Mendelson, Victoria Morton, Janie Nicoll, Kate V Robertson, Catherine Street and Alberta Whittle

Rupture, Rapture: Womxn in Collage
Friday 25th Aug – Saturday 16th Sept, 2023
@ Patricia Fleming Gallery
4 Oxford Lane, Glasgow G5 9ER

Exhibition Dates
Friday 25th August – Saturday 16th September, 2023

Visiting Hours
Tue: By Appointment (12.00-17.00)
Wed, Fri, Sat: 12.00 – 17.00
Thu (late night): 12.00 – 19.00

Web Residency »Algorithmic Poetry.«

Re-Imagining In-Conversation: A New Poetics by Hannan Jones and Shamica Ruddock explores the dynamics of hybridity and exchange. Inside an interactive soundscape, visitors of their web project will be invited to compose, gather, and listen, triggering recordings co-created with collaborators. Jones and Ruddock are particularly interested in »cultural hybridity and technocreolization« and allowing for »potential for expanding a new poetics.«

Comfort 2023, 16’00’’ dir. Daisy Smith
Produced with support from the Dommering Foundation
Link to trailer: https://vimeo.com/874373349

Archive Berlin
Reinickendorfer Str. 17, 13347 Berlin

With contributions from
Ariella Aïsha Azoulay, Dina Al Kaisy Friemuth, Machi Mashy with Mohammed Abdelkrim, Karina Griffith, Juan-Pedro and Ingeborg Fabra Guemberena, Gladys Kalichini, Rah Naqvi, Hannan Jones and Shamica Ruddock, and more to be announced.

See the full programme here

Home: A Domestic Fiction

For sale on 16 Nicholson Street booth for the Art Bootsale at SWG3.

Voices in Buildings brings together artists and musicians: a continuous soundtrack running throughout the event, with musicians dropping in and out as a backdrop to a loose schedule of performances.

Artists include: Rhubaba Choir wi resident artist Hannan Jones, Seth Bennett, Semay Wu, Casey Miller, Ceylan Ha, Ali Robertson, Shona Macnaughton and Ben Kritikos. Produced by Benjamin Owen and Dougal Marwick with Jennie Temple and support from Dissenter for Space Studies.

un Magazine 17.1 RESIST involved Shamica and I in conversation, you can read ‘Speculation is the Vehicle’ in print and online.

The 2023 un Magazines are guest edited by Bahar Sayed and Gemma Weston guided by interrelated themes that suggested a directional attitude — to push against; to pull towards. It was a pleasure to be part of and to bring to life ways of thinking together through text. We exist alongside wonderful contributors whose words and insight I’ve really enjoyed getting to understand and think through too. They are Aisyah Aaqil Sumito & Mossy 333, Elyas Alavi, Hana Pera Aoake, Mayma Awaida, Timmah Ball, Andy Butler, Marguerite Carson, Sam Elkin, HEAVY DUTY, Marnie Badham & Kelly Hussey-Smith & Nina Mulhall, Joana Partyka, Leila el Rayes, Jack Augustine Irvine Mitchell & Eliki Reade, Emily Morel & Amy Stuart, Olga Svyatova, Rebecca Suares-Jury, Megan Tan, and Ane Tonga.

Thank you very much to Bahar, Gemma, Un Projects and Azza Zein!

link to un Magazine 17.1 online

Outlier Glasgow
38 London Rd, Glasgow G1 5NB

Conceived in response to a collective sense of freefall, Seeking Channels interrogates the systems that shape our ways of knowing & searches for tools that help bring into focus a connection to our world. Against a backdrop of techno-solutionism, global heating & escape strategies, Seeking Channels looks for worms in the mud and asks their grandparents how to plant a garden.

Featuring Billy Crosby & Sian Newlove-Drew, Bones Tan Jones & Nicolette Clara Iles, Dayna Casey, El Hardwick, Feral Practice, Georgia May Jaeckle, Georgie Hurst, Dr Helen Greaves, Hannan Jones & Shamica Ruddock, Holly White, Ibiye Camp, Milo Creese, Sean Roy Parker, and Kris Lock.

Listen to the broadcast at Clyde Built Radio, commissioned by David Dale Gallery.

Blue Grey Haze is a sonic landscape that begins with a locked groove, serving as a rhythmic foundation that unfolds progressively and cyclically returns. It brings together new compositions, poems and research elements, field recordings, and collected audio materials that undergo deliberate sonic shifts, amplifying the sense of constellations within composition whilst sitting in a state of flux bound by the locked groove.

26: Hannan Jones, Dina Mimi, Onyeka Igwe, Jacob Dwyer, Gabriel Abrantes

Mascara film club presents a programme that looks at portraits of people that cannot be filmed, whether this be through impossibility or concealment. Fact, fiction and construction play out across five films that propose alternative depictions or awkward documents.

Thursday 6th April 2023 7.30pm
Location: P/////AKT, Amsterdam

Programme:
Working Knowledge of Ritual, Hannan Jones, 2023 (4 mins)
The eyes that never see, Dina Mimi, 2021, (12 mins)
We Need New Names, Onyeka Igwe, 2015 (14 mins)
Donovan Garcia, Jacob Dwyer, 2017 (7 mins)
A Brief History of Princess X, Gabriel Abrantes, 2016 (7 mins)

Fred Moten • Brandon López • Gerald Cleaver (trio) + Hannan Jones • Pat Thomas • Shamica Ruddock (trio)

Community Central Halls,
304 Maryhill Rd, G20 7YE

Event Info

Nightcore, 2023, 16mm, 27’30’’
Daisy Smith's website

18–22 Ashwin street
Dalston
London
E8 3DL

Event Info

In Praise of Slowness, 2023, 16mm, 17'43''
Hicham Gardaf website